Review
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13.03.2018
Aida – Teatro Real Madrid 2018
Gagnidze … displayed his attractive baritone color, robust and firm, with well placed high notes and a convincing expression”
Arturo Reverter, La Razon
“More uniform was the interpretation of Liudmila Monastyrska, whom the audience greeted with warmth and applause at the end of her duets and arias… The same happened for George Gagnidze as Amonasro.”
Europa Press
“A vengeful Amonasro, George Gagnize let the metal sound of his voice ring out, perpetuating the memory of the great interpreters ofthe role.”
Nicolas Grienenberger, Classique News
“Gagnidze … displayed his attractive baritone color, robust and firm, with well placed high notes and a convincing expression”
Arturo Reverter, La Razon
“More uniform was the interpretation of Liudmila Monastyrska, whom the audience greeted with warmth and applause at the end of her duets and arias… The same happened for George Gagnidze as Amonasro.”
Europa Press
“A vengeful Amonasro, George Gagnize let the metal sound of his voice ring out, perpetuating the memory of the great interpreters ofthe role.”
Nicolas Grienenberger, Classique News
“George Gagnidze was a husky Amonasro, plebeian but heroic, with a solid, nasal baritone and ringing top notes.”
Fernando Remiro, Bachtrack
“I was pleasantly surprised by the Amonasro of George Gagnidze, physically and scenically perfect for the
rôle. But his timbre is also very pleasing and although it shows a certain abruptness in his singing, it also had moments of adequate nuance, especially in the duet with his daughter.”
Javier Del Olivo, Platea Magazine
“George Gagnidze did a good job by portraying a good Amonasro, a short but intense role, and demonstrated a great facility to sail t the high register and a good presence in the middle register.”
Mariano Hortal, Operaworld.es
Interview
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04.07.2025
Interview for ORF TV
In the lead-up to the premiere of Der fliegende Holländer at the Oper im Steinbruch Festival, George Gagnidze spoke with ORF TV about his role and the production in St. Margarethen. The interview, along with rehearsal footage, can be viewed here:
Interview
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07.06.2025
Première Loge Interview
George Gagnidze recently spoke with Première Loge about his deep connection to Verdi and Rigoletto, the role he is currently singing at the Opéra national de Paris. The interview touches on his artistic journey, future projects, and his interpretation of one of opera’s most iconic characters.
Review
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06.06.2025
Press review “Rigoletto” in Paris, May/June 2025
“George Gagnidze, a veteran of his signature role, which he embodies masterfully with exemplary intelligence, (...) throws himself admirably into this demanding part: ... showing no noticeable signs of age ... he often reaches moments of true emotion, culminating in a faultless and particularly poignant finale.” François Lehel, Opéra
Interview
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01.04.2025
Interview with Appreciate Opera
George Gagnidze was interviewed by Alkis Karmpaliotis for the US publication Appreciate Opera. Below you will find a preview of the feature. To read the whole interview, you may click HERE.
Interview
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20.03.2025
Interview for YouTube channel Kontextus
While in Budapest, George Gagnidze had a chat with the Hungarian YouTube channel Kontextus about his career, singing Verdi and Macbeth at the Hungarian State Opera:
