An "expressive, resonant baritone", boasting "insightful phrasing" and a "confident, imposing presence".
NEWS
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06.05.2025
George Gagnidze is back singing the title role of Rigoletto, his signature role and one of his most performed parts. This time he stars as the tormented court jester at the Opéra national de Paris. Performances will take place at the Opéra Bastille from May 10 to June 12, 2025, under the baton of Andrea Battistoni in a production by Claus Guth.
NEWS
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22.02.2025
George Gagnidze is set to make his debut in Hungary, performing the title role in Verdi’s Macbeth at the Hungarian State Opera in Budapest. This new production, directed by Matthew Wild, premieres on February 22, 2025, with additional performances featuring George Gagnidze on February 28 and March 5. The opera will be led by the theatre’s principal conductor Martin Rajna.
NEWS
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24.11.2024
On November 24, George Gagnidze will return to the Staatsoper Hamburg as Miller in an Andreas Homoki production of Luisa Miller under the musical direction of Lorenzo Passerini. He will share the stage with Narea Son in the title role, Giorgio Berrugi as Rodolfo, Adam Palka as Conte di Walter, Kristina Stanek as Federica, and Brindley Sherrat as Wurm. Other performances will occur on November 28 and 30 as well as on December 4.
May 2025
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18
May 2025
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21
May 2025
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24
VIDEO
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04.12.2024
VIDEO
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01.10.2024
VIDEO
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04.08.2024
01.04.2025
George Gagnidze was interviewed by Alkis Karmpaliotis for the US publication Appreciate Opera. Below you will find a preview of the feature. To read the whole interview, you may click HERE.
15.11.2024
"Giuseppe Verdi's opera conducted by an expert Verdian conductor. And the world of “courtiers” revolves around Gagnidze's voice.” "The poisoned world of ‘courtiers, vil razza dannata’ revolves around him, but he is the one who makes the scene-world revolve. And let us praise the Rigoletto of baritone George Gagnidze, Georgian, powerful, compelling, imposing Falstaff-like physique yet highly agile, mimetic, direct, ruthless, and broken. And what does it matter that he exhibits no mountainous humps or right-angle posture? His “diversity” is riveting and deadly. For everyone. He is a hypnotic “singing actor.” Gagnidze shows excellent declamation and phrasing and a remarkable word command. And all this is much more than a corollary to his expressive and happily “bulky” physicality that reminds one in no small part of Ambrogio Maestri, an immense exponent of the highest craftsmanship of theater in music.” “The magnificent “father” (of Gilda, ed.) Gagnidze!” Carmelita Celi, La Sicilia
30.10.2024
On the occasion of his debut at the Teatro Massimo Bellini of Catania, George Gagnidze spoke with the largest Sicilian newspaper, La Sicilia: