Review
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13.03.2018
Aida – Teatro Real Madrid 2018
Gagnidze … displayed his attractive baritone color, robust and firm, with well placed high notes and a convincing expression”
Arturo Reverter, La Razon
“More uniform was the interpretation of Liudmila Monastyrska, whom the audience greeted with warmth and applause at the end of her duets and arias… The same happened for George Gagnidze as Amonasro.”
Europa Press
“A vengeful Amonasro, George Gagnize let the metal sound of his voice ring out, perpetuating the memory of the great interpreters ofthe role.”
Nicolas Grienenberger, Classique News
“Gagnidze … displayed his attractive baritone color, robust and firm, with well placed high notes and a convincing expression”
Arturo Reverter, La Razon
“More uniform was the interpretation of Liudmila Monastyrska, whom the audience greeted with warmth and applause at the end of her duets and arias… The same happened for George Gagnidze as Amonasro.”
Europa Press
“A vengeful Amonasro, George Gagnize let the metal sound of his voice ring out, perpetuating the memory of the great interpreters ofthe role.”
Nicolas Grienenberger, Classique News
“George Gagnidze was a husky Amonasro, plebeian but heroic, with a solid, nasal baritone and ringing top notes.”
Fernando Remiro, Bachtrack
“I was pleasantly surprised by the Amonasro of George Gagnidze, physically and scenically perfect for the
rôle. But his timbre is also very pleasing and although it shows a certain abruptness in his singing, it also had moments of adequate nuance, especially in the duet with his daughter.”
Javier Del Olivo, Platea Magazine
“George Gagnidze did a good job by portraying a good Amonasro, a short but intense role, and demonstrated a great facility to sail t the high register and a good presence in the middle register.”
Mariano Hortal, Operaworld.es
Review
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01.12.2025
Press review “Khovanshchina” Staatsoper Berlin
Following the rave reviews for Claus Guth’s new production of Khovanshchina, featuring George Gagnidze as Boyar Shaklovity at the Staatsoper Unter den Linden in June 2024, the revival this November also received excellent notices internationally:
Review
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08.11.2025
Interview with Italian magazine Amadeus
For their November 2025 issue, Italian magazine Amadeus features an interview with George Gagnidze by Alessandro Cammarano. In the 2025/26 season, George Gagnidze takes on three major roles in Italy: after his acclaimed performances as Gianciotto in Francesca da Rimini at the Teatro Regio Turin, he will also appear in the title role of Macbeth at the Opera Carlo Felice in Genoa.
Review
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16.10.2025
Reviews “Francesca da Rimini” in Turin
“George Gagnidze as her husband Gianciotto was excellent...” Paolo Gallarati, La Stampa
Review
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10.10.2025
“L’Italia è la culla del mio repertorio”. L’intervista
di Giovanni Zambito - Il baritono George Gagnidze, tra le voci verdiane più autorevoli della scena lirica internazionale, si prepara a una nuova intensa stagione artistica che lo vedrà protagonista in Italia e all’estero. Dopo quasi 150 recite al Metropolitan di New York, Gagnidze tornerà nel Belpaese per tre appuntamenti di grande rilievo: Francesca da Rimini al Teatro Regio di Torino, Macbeth al Carlo Felice di Genova e Nabucco al Macerata Opera Festival. Parallelamente, sarà impegnato in importanti produzioni in Germania e Spagna, tra cui Der fliegende Holländer.
Interview
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04.07.2025
Interview for ORF TV
In the lead-up to the premiere of Der fliegende Holländer at the Oper im Steinbruch Festival, George Gagnidze spoke with ORF TV about his role and the production in St. Margarethen. The interview, along with rehearsal footage, can be viewed here:
